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Electronic
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Listening to Dryandra Woodland
Collaborative work with Simon Charles & Katie West. Installation (2020) WIP Commissioned by Liquid Architecture. Baigup Wetlands Learning Collaborative work with Adam Pultz-Melbye. 6' (2020) Links: Listen Commissioned by Tura New Music. Untitled piece using feedback, recordings, saxophone & amplified voice 20' (2020) Links: Video Composed under the Schenberg Fellowship. |
Ensemble |
What is given is not a fully formed song
Collaborative work with Noemie-Huttner Koros, for actor, dancer, three musicians & electronics. (2020) WIP Supported by the Blue Room Theatre through Winter Nights. Untitled (trio) for alto saxophone, double bass & percussion 15' (2020) Links: Score Banksias under snow (temporal mirror c.a. 20000 BP) for flute (doubling alto flute), clarinet (doubling bass clarinet), electric guitar, pedal harp & electronics. 25' (2020) WIP Links: Score Draft For GreyWing Ensemble. Sculthorpe studies for pitched instruments & field recordings. Open duration (2019) Links: Score, Recording (version for piano & sine tones) Composed under the Schenberg Fellowship, with thanks to Michael Pisaro. Shaking small tambourines like afterthoughts for large ensemble playing wood blocks, bells and portable speakers, to be performed in a very long venue 40' (2019) Links: Score, Recording Composed for Limited Hangout: In the Field, with thanks to Lindsay Vickery. We do not see from above for bass flute, clarinet in Bb, violin, electronic keyboard, percussion with electronics (five performers). Open duration (2018) Links: Score, Recording Composed for Ensemble Offspring: Hatched Academy. A touch, fraught with ghosts for laptop orchestra. 10' (2018) Links: Score Composed for WALO. The silver morning shifts their birds from tree to tree for three or four performers, with generative electronics. 10' (2017) Links: Score, Recording ...but the trees I know sing breves for soprano voice, clarinet in Bb, violoncello, piano & percussion. 25' (2017) Links: Score, Excerpt With thanks to Sage Pbbbt. Blessed, very blessed for piano, contrabass and small choir, with electronics. 9' (2015) Links: Score, Recording Composed for the Tiny Portraits project, with thanks to Kate Carr. |
