Scores

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Ensemble

Forms in river foam
for alto saxophone, spoken word & electronics (three performers)

​18' (2021)
For Erin Royer, with words by Noémie Cecilia Huttner-Koros.

We do not see from above ​II
for alto saxophone, electric guitar, percussion & electronics (four performers)

25' (2021)
Supported by the APRA Creative Recovery fund.

Banksias under snow (temporal mirror c.a. 20000 BP)
for flute/alto flute, clarinet/bass clarinet, electric guitar, pedal harp & electronics (five performers).

20' (2020-2021)
For GreyWing Ensemble.

Sculthorpe studies
for pitched instruments & field recordings.

Open duration (2019)
Links: Score, Release
​Composed under the Schenberg Fellowship, with thanks to Michael Pisaro.

We do not see from above
for bass flute, clarinet in Bb, violin, electronic keyboard, percussion with electronics (five performers).

Open duration (2018)
Links: Score, Recording
Composed for Ensemble Offspring: Hatched Academy.

​​​A touch, fraught with ghosts
for laptop orchestra.

10' (2018)
Links: Score
Composed for WALO.

The silver morning shifts their birds from tree to tree
for three or four performers, with generative electronics.

10' (2017)
Links: Score, Recording

...but the trees I know sing breves
for soprano voice, clarinet in Bb, violoncello, piano & percussion.

25' (2017)
Links:  Score, Excerpt
With words by Sage J. Harlow.

Blessed, very blessed
for piano, contrabass and small choir, with electronics.

9' (2015)
Links:  Score, Recording
Composed for the Tiny Portraits project, with thanks to Kate Carr.

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Solo

Raaswater
for electric guitar with electronics.

20' (2020)

​a window in Sicily
for electric guitar with electronics.

28' (2016)
Links: Recording
With thanks to Jameson Feakes.