Field Recording
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About field recording
I make field recordings for reasons I'm not entirely yet certain of. Are these sonic objects, complete in themselves without need of any reference point, or are they inextricably linked to their source environment and actors? What do field recordings have to say about the sentient, enchanted, animated nature of the world and the networks of communication occurring in it (between living beings and stones, spirits, ideas etc.)? I'm interested in these questions and more, and happy to remain immersed in the activity which I find at least very interesting and which gives me access into another mode of listening. Here are some essays, books, artists and blogs that I find to be interesting and inspiring. Would love your suggestions on more reading.
Here's a few field recordings I've published as stand-alone audio objects:
The photo on the left is from Nanda country - it's the Murchison river, in the Kalbarri gorges, about eight hours drive north of Perth. |
Live Music
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I make an effort to document as much of the experimental music goings-on in Perth that I can. I've recorded on occasion for Outcome Unknown and Tura New Music, as well as recording nearly everything that my label Tone List does.
Here are some recordings I've made:
Do get in touch if you have a chamber music project you'd like recorded. |
The Lion Never Sleeps
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I have been working with Noemie Huttner-Koros on this project, re-enchanting the streets of Northbridge through audio recordings & walking tours focusing on the history of queer activism in Perth, especially amidst the AIDS crisis. The project specifically focuses on queer elders; our interviewees include Mark Reid, Janet Carter, Claire Bushby, and Carl Gopalkrishnan.
There may be an online presentation of this piece in the future. Some reviews, writing and interviews around the piece: |