chamber ensembleWhat is given is not a fully formed song (2019) ~30' WIP
Alto saxophone, electric guitar, double bass, percussion & electronics (five performers). Composition supported by the Schenberg Fellowship. We do not see from above (2018) 10'-30' SCORE / AUDIO for bass flute, clarinet in Bb, violin, electronic keyboard, percussion & electronics Composed for the Ensemble Offspring Hatched Academy. The waves which have kept me from reaching you (2018) ~20' SCORE for alto voice, alto saxophone, electric guitar, trumpet in Bb, violin, double bass & percussion, with electronics. A touch, fraught with ghosts (2018) 10' SCORE for laptop orchestra. Commissioned by Stuart James for the Western Australian Laptop Orchestra. ...but the trees I know sing breves (2017) ~25' SCORE for soprano voice, clarinet in Bb, violoncello, piano & percussion. Blessed, very blessed (2015) 9' SCORE / AUDIO for piano, contrabass, small choir & electronics. Commissioned by Kate Carr for the Tiny Portraits series. |
open & text scoresWaves of presence and disappearance (2019) open duration (several hours)
for any ensemble. Composition supported by the Schenberg Fellowship. Sculthorpe Studies (2019) open duration SCORE / AUDIO for any ensemble of pitched instruments, with field recordings. Composition supported by the Schenberg Fellowship. Shaking small tambourines like afterthoughts (2018) 40' SCORE site-specific work for large ensemble playing cowbells, bells and portable speakers. Commissioned by Lindsay Vickery for the Limited Hangout series. The silver morning shifts their birds from tree to tree (2017) 10' SCORE / AUDIO for trio or quartet, with generative electronics. solo scores |
