Location Sound Recording |
Trained in both composition & audio technology, I can offer superb, transparent and musical recordings of live concerts, as well as on-location audio for podcasts, theatre and dance shows, installations or other creative and experimental projects. I particularly enjoy recording outdoors and my equipment is tuned to deal with rain, humidity and strong temperatures: situations where lower-quality kit would falter.
I use world class equipment by Neumann, Sennheiser, DPA, Rycote and Sound Devices as part of my very portable kit., and can compliment all recordings with digital post-production (mixing & mastering) as desired. |
Rates & Contact |
As an emerging sound recordist I am able to offer very competitive rates as I build my portfolio.
Please contact me at: unhearable.chords [at] gmail [dot] com. 
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About Me
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I became interested in sound recording on-location through working on my own music, both collecting field recordings & improvising in-situ. I consider the recording process as a composition process, rather than one of documentation, and enjoy capturing the atmosphere, energy and spatial elements of performances.
As well as having studied Composition & Music Technology at the Western Australian Academy of Performing Arts, I've accumulated experience over the last 3 years making documentation for the experimental music scene: the record label Tone List, as well as events by Outcome Unknown and Tura New Music. I have also worked with Noémie Huttner-Koros on her theatre work 'The Lion Never Sleeps' and in collaboration with visual artist Katie West & composer Simon Charles on the interdisciplinary project 'Listening to Dryandra Woodland'. My field recordings of Dryandra are also exhibited in the conservation space within the park, Barna Mia. |
Equipment |
Microphones
Recorders
Accessories
Other equipment able to be hired in advance of recording date. |
