sound
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Clicking any sub-heading (i.e. 'composition & scores') will take you to a page where you can see all works of that same type together.
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2019
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composition & scoresThe waves which have kept me from reaching you (30') WIP
electro-acoustic piece. Composition supported by the Schenberg Fellowship. What is given is not a fully formed song (30') WIP for alto saxophone, electric guitar, double bass, percussion & electronics (five performers). Composition supported by the Schenberg Fellowship. Waves of presence and disappearance (open duration; several hours) for any number of performers. Composition supported by the Schenberg Fellowship. Sculthorpe Studies (open duration) SCORE / AUDIO for any ensemble of pitched instruments, with field recordings. Composition supported by the Schenberg Fellowship. interdisciplinaryThe Lion Never Sleeps READ
Noemie Huttner-Koros Performed as part of the Winter Nights festival at the Blue Room Theatre. Upcoming season at Summer Nights as part of Fringe World Festival. |
improvisationsBerlin Split LISTEN / ORDER
Emilio Gordoa, Matthias Müller, Josten Myburgh & Adam Pultz-Melbye Two electro-acoustic improvisations; a trio with Adam & Emilio on side one, and a duo with Matthias on side two. Released by Tone List. Moers Schlosspark WATCH Emilio Gordoa & Josten Myburgh Snare drum & saxophone duo, recorded outside in West Germany. I wanna be a tree LISTEN Laura Altman, Jim Denley, Jameson Feakes, Noemie Huttner-Koros, Lenny Jacobs, Josten Myburgh, Éric Normand, Dan O'Connor & Dharma Shan Recording of an improvisation on Bibbulmun Noongar boodja (Walpole/Nornalup forest) under a giant red tingle tree. field recordingsSuperb lyrebirds in Tarraleah LISTEN
Lyrebirds are the focal point of this recording from the Tasmanian highlands. Barna Mia Audio installation of field recordings, for the Barnia Mia conservation space within the Dryandra Woodlands. Commissioned by the WA Department of Biodiversity, Conservation and Attractions. Wilgadjny, third visit LISTEN A field recording from the Dryandra Woodlands on Wiilman Noongar boodja. Dense early-morning polyphony in the rain. |
2018
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compositions & scoresWe do not see from above (open duration) SCORE / AUDIO
for bass flute, clarinet in Bb, violin, electronic keyboard, percussion & electronics. Composed for the Ensemble Offspring Hatched Academy. Shaking small tambourines like afterthoughts (40') SCORE site-specific work for large ensemble playing cowbells, bells and portable speakers. Commissioned by Lindsay Vickery for the Limited Hangout series. eight (16") LISTEN / DOWNLOAD electronic composition; a 'cover' of Dan O'Connor's 'eight'. Made for the tribute album EX/IN, released by Tone List. The waves which have kept me from reaching you (20') SCORE for alto voice, alto saxophone, electric guitar, trumpet in Bb, violin, double bass & percussion, with electronics. A touch, fraught with ghosts (10') SCORE for laptop orchestra. Commissioned by Stuart James for the Western Australian Laptop Orchestra. interdisciplinaryLiminal
Josten Myburgh & Joshua Pether Site-specific performance-installation co-created with Joshua Pether for the MoveMe Festival's 'SeeMe' project. A Resting Mess Daisy Sanders Performed as part of the Winter Nights festival at the Blue Room Theatre. |
improvisationsRedcliff, Koorda (2018) LISTEN
Nick Ashwood, Jim Denley, Jameson Feakes, Be Gosper, Josten Myburgh, Stuart Orchard & Ev Snook Recorded on Ballardong Noongar boodja at the end of the Sounding Together workshop. Both and Net (2018) LISTEN / ORDER Tchake, with Jameson Feakes Myself (electronics) performing with Michael McNab (percussion) as the duo Tchake. The second track is a trio with Jameson Feakes (guitar). Released by Tone List. Duo with Djuna Lee LISTEN Djuna Lee & Josten Myburgh Double bass & electronics duo, wherein I play surface transducers through drums. My language in this duo is moving towards using recordings of the bass as the sole material to improvise with, playing with notions of echo, amplification & distortion. field recordingsFootybox LISTEN
A field recording from Koorda on Ballardong Noongar boodja. Finding ways of capturing the intensity of the wind that passes through the agricultural belt in this part of Western Australia. Wilgadjny, first visit LISTEN A field recording from the Dryandra Woodlands on Wiilman Noongar boodja. performanceun lieu pour être deux LISTEN / DOWNLOAD
Antoine Beuger Recording of this wonderful piece, performed by myself & Jameson Feakes. Released by Tone List. |
2017
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composition & scoresWillowmavin (20') EXCERPT
for pedal harp & electronics. Commissioned by Catherine Ashley. The silver morning shifts their birds from tree to tree (10') SCORE / AUDIO for trio or quartet, with generative electronics. ...but the trees I know sing breves (25') SCORE / EXCERPT for soprano voice, clarinet in Bb, violoncello, piano & percussion. |
improvisationsSolo saxophone improvisation LISTEN
An early recording of an improvised practice I'm working on, based around air noise & small tuned percussion. performanceOde (owed) to O LISTEN/ (O)RDER
Emmanuelle Waeckerle I participated in this recording of Waeckerle's vocal works on Edition Wandelweiser. You can buy the release on the label's website. Murrindindi and Corners of Nowhere LISTEN 1 / LISTEN 2 Simon Charles and Olivia Davies Two recording excerpts. Jameson Feakes and I commissioned Simon and Olivia to write pieces for guitar & electronics, which we then performed throughout Australia, Malaysia and New Zealand. |
2015 - 2016
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compositions & scoresOnly (40')
for glockenspiel & electronics. Commissioned by Kaylie Melville. a window in Sicily (28') AUDIO for electric guitar & electronics. Commissioned by Jameson Feakes. Released on Feakes' album '...until...' on Tone List. Blessed, very blessed (9') SCORE / AUDIO / WEBSITE for piano, contrabass, small choir & electronics. Commissioned by Kate Carr for the Tiny Portraits series; released on her label Flaming Pines. interdisciplinaryA Picnic
Janaina Moraes & Georgia Page Developed for pvi collective's Kiss Club. |
improvisationsPassive Transport LISTEN/ORDER
Emilio Gordoa, Michael McNab & Josten Myburgh Two improvisations on percussion, vibraphone & live processing, made in Berlin in Gordoa's studio during a first meeting. Released by Shame File Music. performanceBlues Fall LISTEN
Michael Pisaro A recording of a song from Michael Pisaro's 'Tombstones' song cycle, performed by Breaking Waves with Monica Brierley-Hay. |