What is given is not a fully formed song (2019)
Alto saxophone, electric guitar, double bass, percussion & electronics (five performers).
20 ' - 40'.
We do not see from above (2018) SCORE / AUDIO
Bass flute, clarinet in Bb, violin, electronic keyboard, percussion & electronics. 10' - 30'.
The waves which have kept me from reaching you (2018) SCORE / AUDIO
Alto voice, alto saxophone, electric guitar, trumpet in Bb, violin, double bass, percussion.
20' - 30'.
A touch, fraught with ghosts (2018) SCORE
Commissioned by Stuart James for the Western Australian Laptop Orchestra.
...but the trees I know sing breves (2017) SCORE
Soprano voice, clarinet in Bb, violoncello, piano, percussion.
Blessed, very blessed (2015) SCORE / AUDIO
Piano, contrabass, small choir & electronics.
Commissioned by Kate Carr.
open & text scores
Waves of presence and disappearance (2019)
Open duration (several hours).
Sculthorpe Studies (2019) SCORE
Open instrumentation with field recordings.
Shaking small tambourines like afterthoughts (2018) SCORE
Large ensemble playing cowbells, bells and portable speakers, site-specific.
The silver morning shifts their birds from tree to tree (2017) SCORE / AUDIO
Trio or quartet with generative electronics.
10' (longer version available).
Pedal harp & electronics.
Commissioned by Catherine Ashley.
Glockenspiel & electronics.
Commissioned by Kaylie Melville.
a window in Sicily (2016) AUDIO
Electric guitar & electronics.
Commissioned by Jameson Feakes.